The Canals Of Venice
04.04.2008 - 06.04.2008
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2008 Med Cruise
on greatgrandmaR's travel map.
April 5, 2008
On April 5th, the day we were to leave the ship, we went up to have breakfast about 9:30. My grandson had decided to sleep in his clothes. I was still trying to get organized and pack, not realizing that he didn't know that we were going to a hotel first. I had an Eggs Benedict Florentine (with spinach instead of the traditional one with ham)
I also put a couple of the rolls in my pocket.
After we got back to our room, they called us and said our passports were ready and we should be off the ship by noon.
So we went up to get them, and gathered our bags together and walked off the ship about 10:30 to 10:45. I had by now figured out that the hotel was quite close to the ship's location in the port on the Grand Canal instead of at the St. Marks' end and there was almost no chance of any public transportation, so we would have to walk.
My grandson pulled his large bag and wore his backpack and attached my carry on to his bag,
and I just pulled my own wheeled bag. I had several maps of Venice and we worked out where we would have to walk. We had to go up over a bridge across the canal and railroad tracks,
and I didn't want to cross the wrong bridge. Because I periodically stopped to take pictures (and rest) this 20 minute walk took us about 45 minutes.
The hotel was quite interesting.
We were on the fourth floor (in the attic), and the tiny elevator which said it held 4, but they would have to be very good friends, only went to the third floor
and we had to walk up the next flight.
The windows looked out on the water bus and land bus circle area, and not on the canal. The desk man brought up our bags.
It was lunchtime by this point, and I decided to feed pizza to my grandson, since we had not had a chance to eat pizza in Naples where I thought it had originated. So we went down to the desk and turned in the key (and I asked them to remake the beds as twins, which they were supposed to have done, and they corrected this) and ordered a taxi for 5:20 the next morning so that we could be at the airport by 5:45 for our flight to Madrid.
We walked around/across the circle to the restaurant there
and ordered pizza.
My grandson said he was hungry, so I ordered a pizza each, and a bottle of water to share. He ate his and one quarter of mine.
There was the usual charge for bread/cover and the bread was those really tiny thin long bread sticks.
The bill for that was 26.30 €. This came out on my visa bill as $41.37 which is a bit high for lunch.
Then my grandson went back to the hotel to get his camera, and I went to the bus terminal to buy us a 12 hour pass. Twice people tried to give me a free ticket. I did not accept as I thought it must be some kind of scam, although I forgot to ask. They are building another footbridge at this end of the canal. The construction meant that we couldn't walk along the canal to the bus stop.
This is the Constitution Bridge, designed by the Spanish architect Santiago Calatrava, which opened on September 11, 2009. The bridge links Venice's railway station with the car, bus and ferry terminal on the opposite side of the Grand Canal. The Constitution bridge is the fourth over the Grand Canal and the city's first new bridge in 70 years.
This bridge is very dangerous to tourist who keep spraining their ankles because of the bridge's irregularly spaced steps, and the disorienting optical effect of the sectioned stone and glass flooring. People are gawking at the sights instead of watching where they are putting their feet.
We took the #1 water bus/vaporetto which went all the way from the terminal to the Lido. Sometimes when one visits a city, just riding one of the bus routes is a good way to see the sights. Such as riding one of the big red routemaster buses in London. But since the streets in Venice are either small walking paths or canals, the standard bus option isn't available. Instead Venice has Vaporettos which are fat canal boats that trundle up and down the wider canals. We rode Vaporetto Route 1 from Piazzale Rome to the Lido and back and gawked at the scenery and took photos. Get on at the Piazzale Rome end to get a seat in the bow of the boat.
The stops are
- Piazzale Roma
- Ferrovia (railway station)
- Riva de Biasio
- San Marcuola
- San Stae
- Ca' d'Oro
- Rialto (Mercato Vecchio)
- Rialto (Banca d'Italia)
- San Silvestro
- Sant' Angelo
- San Toma'
- Ca' Rezzonico
- Accademia
- Giglio
- Salute
- San Marco Vallaresso
- San Zaccaria
- Arsenale
- Giardini
- Sant' Elena
- Lido
My grandson was in the front seat facing forward
and I was in the middle facing him. It got quite cold up there while we were crossing the lagoon to the Lido stop. I had on a sweater but probably could have used my coat - I never managed to have the appropriate clothing on. Either I had my coat and was too hot, or did not have it and was cold. After my grandson took about ten more pictures (which added to the ones from the previous day made 119 that he took in Venice) he stopped taking pictures. These are the ones he took.
Some say this is the true heart of Venice. It was built between 1588 and 1591 to replace the pontoon boat bridge that went to the Rialto market. It remained the only way to cross the Grand Canal on foot until the Accademia Bridge was built in 1854. Antonio da Ponte ("Anthony of the Bridge") competed for the contract against Michelangelo. Actually I told my grandson that it was designed by Michelangelo. I was wrong. I don't know where I got that piece of mis-information from. We only saw the bridge from the vaporetto so we did not go on any of the three walkways including the a wider central walkway leading between two rows of small shops that sell jewelry, linens, Murano glass, and other items for the tourist trade.
But I continued - I had 209 photos from this section. Some of them:
I took a lot of photos of the different colors of gondola mooring poles. The stripes on the mooring poles in Venice reminded me of barber poles. I was thinking - Hey ... It's the Barber of Seville -- Not the Barber of Venice. The gondoliers wear striped shirts, but they aren't barbers.
Actually the pole colors represent families of the aristocracy of Venice that owned the pole (serving as a parking place), and the gondoliers wore corresponding shirt colors. The poles really have no relation to barber poles.
I have pictures of red and white, blue and white, yellow and salmon, yellow and white, aqua and white, green and blue and many other combinations. Some poles are unpainted, and some are a solid color. I wonder if those are kind of like loading zones, or official vehicles only or something like that.
According to Wikipedia, "the red and white stripes symbolize the bandages used during the (barbering) procedure: red for the blood-stained and white for the clean bandages. Originally, these bandages were hung on the pole to dry after washing. As the bandages blew in the wind, they would twist together to form the spiral pattern similar to the stripes in the modern day barber pole. The barber pole became emblematic of the barber/surgeon's profession. Later the cloths were replaced by a painted wooden pole of red and white stripes."
The Palazzo Flangini is a Baroque style palace on the Grand Canal, located adjacent to Campo San Geremia in the sestiere of Cannaregio in Venice, Italy. The palace was built by the Flangini family, a Greek Cypriot family in Venice
The Chiesa de Santa Lucia had an inscription on it which says
LUCIA
VERGINE DI SIRACUSA
MARTIRE DI CRISTO
IN QUESTO TEMPIO
RIPOSA
ALL'ITALIA AL MONDO
IMPLORI
LUCE PACE
Roughly translated, this means
Lucia, Virgin of Syracuse, Martyr of Christ in this Temple Rests
Italy Implores all the World, Light Peace
Chiesa di Santa Lucia has in it the urn containing the relics of Santa Lucia. Actually there are two St. Lucias both from Syracuse which makes it confusing. After the death of the Saint in 304 A.D., his body was moved around and in 1204, the Venetian Doge Enrico Dandolo, sent it to Venice where it was put in the church of S. Giorgio Maggiore. On 13 December 1279 some pilgrims to the shrine drowned after the capsizing of boats in a sudden storm so it was decided to take the body of the Saint to the church S. Maria Annunziata or "Nunca" situated in the Cannaregio district, where they were placed the precious relics transferred from S. Giorgio. In 1313 a new church dedicated to St. Lucia, where the relics of saints were placed permanently.
Since we did only a trip up and down the Grand Canal on the Route one vaporetto, we obviously did not get to walk around any of the six sectors of Venice. When I looked on a map, I found that the Cannaregio district would have been on the side of the railroad station. One of the churches in this section was San Marcuola Cannaregio (which has the district in the name).
It looked unfinished, and it was. Apparently the architect thought he would cover the surface with white marble but didn't get around tuit. It isn't a new church - it was built between 1728 and 1736 by the architect Giorgio Massari. Giorgio Massari b. Venice 1687 - d. 1766 was Venice's most important architect in the first half of the 18th century. It was not uncommon for facade to be left unfinished in Venice. Finishing them cost a great deal of money and was usually left for last.
The church is dedicated to Saints Ermagora and Fortunato—yet its name is San Marcuola. It is near to the Ghetto Nuovo
Palazzo Fontana is located in the Cannaregio district of Venice, and was built at the end of the 16th century by pupils of leading Renaissance architect Jacopo Sansovino. It was the birth place of Pope Clemens XIII in the late 17th century. This historic and atmospheric palazzo is extremely well located, just off Strada Nuova, seconds from the Ca d’Oro vaporetto stop
I know that Venice is a big city for art, but we just did not have either the time or the inclination to visit museums when we were there. I did take photos of them however. The one that I liked best from the outside was the Ca' D'oro which was once the most beautiful in Venice because of the colours of its facade. But the building fell on hard times until Baron Giorgio Franchetti bought it at the end of XIX century to create an art gallery. Inside in addition to the art, you can see what remain of the decorations that once made beautiful the facades of the buildings near the Gran Canal. Downstairs, in the backyard it's possible to admire the well by Bartolomeo Da Bon, a masterpiece of 1427 made with red marble of Verona.
Palazzo Mangilli-Valmarana was built in 1751 by Antonio Visentini for the British consul Mr. Joseph Smith, protector and patron of Canaletto. Consul Smith used to show Canaletto's paintings at the Palazzo.
Palazzo Grassi which apparently is the site of revolving exhibitions. What attracted my attention to the building was what appeared to be an enormous skull made from metal scraps which was outside the building.
Venice is a network of footpaths that intersects a network of canals. At the intersections there are bridges so that people can cross over to the other side of the canal. There are some big bridges over the Grand Canal, but there are a lot more of the little narrow bridges that cross the side canals. The most famous one is the Bridge of Sighs.
There are a lot of stories about this bridge. The view through the windows of the bridge was supposed to be the last view of Venice that convicts saw before their imprisonment. The supposition was that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells. In reality, the days of inquisitions and summary executions were over by the time the bridge was built, and the cells under the palace roof were occupied mostly by small-time criminals. In addition, little could be seen from inside the bridge due to the stone grills covering the windows.
There is also a local legend, that lovers will be granted eternal love and bliss if they kiss on a gondola at sunset, under the Bridge of Sighs, as the bells of St Mark's Campanile toll.
Along the waterfront on the Riva degli Schiavoni (after you leave the St. Mark's Square stop) is an equestrian statue to Vittorio Emanuele 11 (1887), modelled by Ettore Ferrari (1848-1929). There is supposed to be a detail of the roaring Lion of Saint Mark but it must be on the other side. People in Venice call it just "The Monument" as you will notice there are not very many statues in Venice.
Victor Emmanuel II was the first king of unified Italy. First he was the Monarch of Piedmont, Savoy, and Sardinia from 1849 to 1861. On February 18, 1861, he assumed the title King of Italy to become the first king of a Italian unification, a title he held until his death in 1878.
The Castello is the largest district of Venice’s six districts. It is an area situated east of St. Mark’s Square in the former city centre of Venice. Once called Olivolo, it was the center of ecclesiastical power. Nowadays it’s a quiet neighborhood and a large part of the district is covered by the Giardini Pubblici park and the Parco della Rimembranze which provide a green respite from the crowds that throng the Riva degli Schiavoni.
The Giardini Pubblici (the public gardens) were created by Napoleon who issued a decree in 1807 stating that "the good city of Venice must be equipped with a public space where people can stroll".
The gardens were laid out between 1808 and 1812 according to the landscaping project of Giannantonio Selva. Several churches and monasteries were demolished to make the gardens; the arched doorway to the church of Sant’Antonio (on the left, along the canal) is all that remains of those buildings. The pleasant walking area and playground is next to the gardens of Biennale, the international contemporary art exposition which takes place every other year.
Are there gas stations in Venice?
Yes, but you won't see them unless you look for them - they are gas stations (maybe for diesel) for boats right along the edges of the canals. Otherwise none of the vaporettos and water taxis could run, could they?
Some people think the glass mosaics on the Palazzo Barbarigo and the Palazzo Salviati are tacky. The murals on the Palazzo Salviati dates from 1924 and were done to advertise the Salviati glass factory
But one commentator says: "After pretty Gothic Palazzo da' Mula comes 16th century Palazzo Barbarigo, disfigured by some tacky 19th century mosaics. The building gives on to Campo San Vio, one of the few campi on the Gran Canal."
The first museum that I became aware of (seeing it on the map I had) was the Peggy Guggenheim Museum (photo 3), which is billed as "the most important museum in Italy for European and American art of the first half of the 20th century". It is located in Peggy Guggenheim's former home, Palazzo Venier dei Leoni, on the Grand Canal in Venice. The museum was inaugurated in 1980 and presents Peggy Guggenheim's personal collection of 20th century art (among other things).
The Ca' Pesaro (photo 5) is a baroque marble palace facing the Grand Canal of Venice which has a large collection of Oriental art. There is also a contemporary art museum with works by Klimt, Klee, Kandinsky.
In my junior year of college I took a semester of modern art, and learned to love the pictures of the impressionists - Renoir, Van Gogh and especially Turner. Seeing the Grand Canal in person was like having a Turner painting come into focus
For dinner, we walked down the canal a ways
passing some souvenir places
to a little restaurant
and I had lasagna and salad
and my grandson had beef which was a very thin piece of meat, and also fries.
Posted by greatgrandmaR 10:06 Archived in Italy